![]() Let’s look a little closer at this formula with the logline for Jaws: PROTAGONIST + PROTAGONIST GOAL/ACTION + CENTRAL CONFLICT/IRONY We’ll explore more on that later.įor now, let’s check out the general format of a great logline. These elements are interchangeable and can be reordered in order to elicit stronger reactions depending on their content. Luckily, there is a general consensus on the four main elements that make up a strong logline. It’s common for all of these elements to get jumbled up in a writer’s head after working on them for so long. The logline is a one or two sentence paragraph composed of 25-50 words that clearly defines the characters, concept, conflict, plot, theme, and genre of your story. It’s not an easy feat, but it is an essential skill that all writers need to develop. How does a writer even approach condensing 90-120 pages into just one or two sentences? ![]() ![]() It’s the cover art for your project, a movie poster strategically composed of words that draws an audience closer to your script. ![]() The goal of a good logline is to hook a reader with a single sentence so that they need to crack open your script. A logline is a brief ( usually one sentence) summary that states your story's central conflict, conveys the genre, and often reveals dramatic irony.Ī logline is the first impression a reader will have of your story, so it should be considered an extension of your screenplay, not a separate entity. ![]()
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